Bought two tapes – Brahm’s Third and Martinů’s Second and Sixth. I wanted to see what kind of sound-worlds they created. Whilst I was at home I listened to Janáček’s Mr Brouček and liked his quirky universe. Listening to the Brahms I thought that it sounded like typical romantic bombast. Why would I listen to this? But I will try and listen to both as deeply as possible. I also have with me Mahler’s Second, Stravinsky’s Rite of Spring, Beethoven’s Es Muss Sein1, Janacek’s 2nd String Quartet, some Shostakovich – Violin Sonata, Second Violin Concerto and some Schnittke Viola pieces. Barbora has Mozart’s Requiem, the Best of Baroque, Bach Organ Music. I also have Das Rheingold2.
Prague
Here where,
beneath an unimaginable sky,
beneath its angels,
the city,
glistening,
accepts,
corrupts, but is not itself corrupted,
and sings,
with light.
Undated Poem
the heaviness of bees
the lightness of wasps
the density of moths
the possibility of verbal worlds
the worlds of verbal possibility
the verbal possibility of worlds
St Petersburg
Petrograd
Leningrad
String Quartet No. 16 in F major, Op. 135.
All on cassette.