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Justine's avatar

Now I’m worried. I’m planning my first novel after being a short story writer and I thought it would be an easier and more interesting way in. I have two time frames (now and 1642), and multiple women’s pov (one in the now and a number In the past). The novel is about witchcraft and environmental collapse. Hmmm now I don’t know what to do. I thought I was just being ambitious.

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Toby Litt's avatar

The key word here is 'planning'. If you think you aren't taking on too much, and you're secure in distinguishing those POVs, especially those in the past, then keep going. But it is a lot to take on. From what you say, though (sounds a great idea), you may have good narrative reasons for wanting those different voices.

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Justine's avatar

Thanks for taking the time to reply. You’ve certainly given me a lot to think about.

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Dee's avatar

Noo! I'm feeling so seen right now!! Minus the time travel, I was saving that for the sequel!!!🤪

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MrBarrington's avatar

Yeesh, this hit me right in the first draft! I’ve been struggling with my A-story while the B- and C-stories are flowing easily but aimlessly enough. Maybe I need to do the sensible thing and kill those darlings, then scavenge the remains for backstory…

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Annie's avatar

This is really a relief to hear because I keep getting frustrated with myself about how long it’s taking! On top of working (that too teaching) full time. Of course, it’s taking so long! to get into two different voices and times is essentially two arcs.

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